I pigaia anagki mas gia synehi anazitisi me skopo tin euresi neon "thisauron" tis mousikis tis THrakis, mas odigise stin apofasi na ekdosoume mia diskografiki douleia, stin opoia
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I pigaia anagki mas gia synehi anazitisi me skopo tin euresi neon "thisauron" tis mousikis tis THrakis, mas odigise stin apofasi na ekdosoume mia diskografiki douleia, stin opoia tha eihame tin eukairia na parousiasoume sto koino ta nea mas "eurimata". Parallila me tin mousiki mas drastiriotita, ola auta ta hronia asholoumaste adiakopa me tin mousiki katagrafi kai ereuna, prokeimenou na apoktisoume, oso to dynaton mia pio sfairiki apopsi gia to yfos kai tin aisthitiki ton kata topous koinotiton kai ton mousikon tis kathe mias apo autes. Sto simeio auto, tha thelame na anaferoume pos mia apo tis vasikes mas arhes einai na antimetopizoume tin kathe mia mousiki koinotita os politismika autoteli, an kai kommati mias eniaias mousikis enotitas. Oi katagrafes kai i organomeni anazitisi ihitikou ylikou apo to horio Arsakeio tou Nomou Rodopis xekinisan idi apo to 2012. Kapoies alles diaspartes eihan proigithei arketa hronia noritera. Kata ti diarkeia olon auton ton eton, kai tis synehous epexergasias ton katagrafon mas, arhisame na syneiditopoioume tin kallitehniki tous axia. O ikanopoiitikos ogkos tou ylikou pou sygkentrosame, alla kai to gegonos pos, kyrios meso ton synenteuxeon ton palaioteron katoikon tou horiou, antilifthikame to megethos kai ton plouto tis mousikis kai horeutikis paradosis tou horiou, mas odigisan stin apofasi na afierosoume to proto mas diskografiko egheirima sto Arsakeio. Se auti tin epilogi, safos kai epaixan rolo to gegonos pos vriskontan akoma en zoi anthropoi, pou viosan to palaio politismiko perivallon kai thymotan polla tragoudia kai ethima, ta opoia kai mas katethesan, tautohrona me tous prosopikous kai synaisthimatikous desmous, pou mas denoun me auto to horio. To Arsakeio einai ena mikto plithysmiaka horio, sto opoio proupirhe i koinotita ton gigenon tourkofonon mousoulmanon, kai me tin Antallagi tou 1922 prostethike kai auti ton ellinofonon hristianon. To megalytero tmima tou hristianikou plithysmou proirthe apo to horio Euthymio i THmykio, gia tous ntopious, tis eparhias Malgaron Anatolikis THrakis. To horio Euthymio, opos kai ta gyro horia, apotelousan oikonomikous, emporikous, politikous kai politismikous doryforous tis Adrianoupolis, i epirroi tis opoias, ektos tis periohis ton Malgaron, kalypte ligotero i perissotero tin euryteri periohi tis THrakis. Epiheirontas na proseggisoume kai na perigrapsoume to mousiko yfos tou horiou, den tha mporousame na min anaferthoume sto gegonos ton epirroon ton geitonikon periohon, stoiheio pou syndiamorfose telika to haraktira ton horon, ton tragoudion, ton ethimon, alla kai olon ton allon politismikon paragonton tou Euthymiou. Olon auton to politismo eferan mazi tous oi katoikoi tou Euthymiou, me to megalytero meros auton na egkathistatai sto horio Arsakeio. Ekei kai mehri tis arhes tis dekaetias tou 70' oi katoikoi diatirisan oles tis koinonikes domes kai leitourgies pou eihan mathei apo tous progonous tous sto plaisio tis syneheias tou politismikou gignesthai mias proviomihanikis koinonias. I adiakopi auti poreia toson aionon diakoptetai apotoma sti THraki, opos kai sto megalytero meros tou Elladikou horou epeita apo ton V' pagkosmio polemo. O katastrofikos emfylios, pou akolouthise, i metanasteusi, i astikopoiisi, oi politikes kai oikonomikes allages eihan os apotelesma na allaxei ardin i koinoniki kai oikonomiki organosi ton koinotiton sti THraki, gegonos pou den afise anepireasto kai to Arsakeio. I dekaetia tou 70', opos prokyptei apo tin ereuna, itan i teleutaia kata tin opoia stinotan oi kathieromenoi kyriakatikoi horoi stin plateia tou horiou, gegonos pou apotelese to kykneio asma tou palaiou kosmou. To radiofono pou mpike sta kafeneia, i enasholisi ton katoikon kai me alla epaggelmata, plin tis georgias, i astikopoiisi, kai ta koinonika kai ithika protypa pou eiserean mazika ston topo apo tin Athina kai to exoteriko meso radiofonou, kai argotera tis tileorasis kai tou kinimatografou, apokathilosan ton authormito haraktira tou horou, kati pou mehri tote diasfalize i anagki tis koinotitas gia allileggyi kai syllogikotita. I mousiki tis gkaintas kai oi horoi tou palaiou kosmou theorithikan xeperasmenoi kai perithoriopoiithikan mesa se poly syntomo hroniko diastima apo ti nea genia. Ton apoiho autou tou palaiou kosmou epiheiroume na feroume sto fos, mesa apo mia syghroni kai "freskia" proseggisi tis mousikis tou. Mesa apo tis allages pou efere o hronos ston tropo pou antilamvanomaste kai vionoume tin kathimerinotita mas kai ton kosmo gyro mas, oi mousikes kai ta tragoudia auta mas ypenthymizoun tis rizes mas. Ohi aparaitita tis genealogikes, alla tis rizes ekeines pou mas syndeoun me tin authormiti ekfrasi pou metallassetai se tehni, mia diadikasia pou oi palaioteroi gnorizan poly kala, kai pou emeis ehoume tin eukairia na gnorisoume kai na ensomatosoume stin diki mas syghroni pragmatikotita. Ola auta mesa apo tin anagki pou prokyptei kai pali simera gia dimiourgies mikron koinotiton, oi opoies tha diepontai apo allileggyi kai syllogikotita. Euhi mas autos o diskos na apotelesei ena vima pros auti tin kateuthynsi! Kali akroasi! -Mousiko Shima THrakomelo- --